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Paint Exposure

The new paintings are built by constructing and removing, creating tension and unity in contrasts, colors and forms. I would like to achieve every layer as a unique and inimitable result that emanates both simplicity and mystery.

The process of creation, defined by actions and decisions regarding hiding and exposing the visibility of brush gestures, building up or destroying the planes – it influences the different aspects of perception and activates the viewer´s curiosity.

The works adopt the aspect of transparency in a way photography does – thin surfaces of paint appear as a kind of multiple exposure.

Does everything aim for geometry?

Geometric abstract art? Looking back at my artworks I often notice their two disparate directions. One of them focuses on organizing and simplification while the other one delves into decomposition and complexity. I wonder where does the constant tendency of geometrizing, as well as the yearning for the freedom of gesture, come from. Perhaps it is worth taking advantage of this dualism and combining these contradictory ways of expression?